Alegerea numelor personajelor (si chiar a numelor unor locuri) din Stranger than Fiction e un mijloc foarte eficient de a extinde simbolistica filmului.

Harold Crick =

= Harold Bloom + Francis Crick

Karen (Kay) Eiffel=

 = Karen Horney + Gustave Eiffel            

Ana Pascal =

= ? + Blaise Pascal

Jules Hilbert =  

Problema  3 (din 23)

Fiind  date doua poliedre oarecare de volume egale, este intotdeauna posibil  sa  il tai pe primul intr-un numar finit de  bucati poliedrice care sa poata fi reasamblate pentru a-l compune pe cel  de-al doilea?

= Jules Verne + David Hilbert 

Penny Escher == ? + M.C. Escher

6 réflexions sur “Lista lui Helm

  1. « I wanted to tell the story of a man who found his life just before he lost it », recalls Helm. « There’s something very poetic in the understanding of one’s place in the world and the meaning of one’s life, but it’s far more dramatic when such understanding occurs only days before that life ends. »

    As Helm began to imagine the various characters and elements of Harold Crick’s world, it became clear that they would all be deeply intertwined. From Kay to Professor Hilbert to Penny to Ana to the wristwatch, each one of the characters ends up doing little things to help them save one another, observes Helm. There’s an underlying theme that the people and things we take most for granted are often the ones that make life worth living and actually keep us alive.

    1. Da, e foarte util link-ul pe care l-ati dat in identificarea catorva dintre simboluri. Oricum, dupa ce incerci sa vezi in ce fel ar putea fi asamblate numele si numerele descoperi noi si noi corespondente. Un lucru pe care nu l-am gasit se refera la cei 15 pasi pe care ii pace pe trecerea de pietoni (scena si numerotare repetate, de altfel)

  2. Atat am gasit in legatura cu trecerea de pietoni: « For example, in designing the graphics that accompany Harold as he runs for the bus, Haug and his team designed two separate versions. “Both times, the GUIs (graphic user interfaces” ) show Harold counting his steps and quantifying, in four dimensions, when and where he is vis-a-vis today’s bus and how this trip relates to all the trips on all the buses he has ever taken. But the second time, Harold gets distracted by the narrator and loses count for the first time in his life. Chaos descends on his GUI, causing him to abandon it as he runs for the bus, resulting in the GUI crashing to the street behind him.”

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